This work explores the notion of reconstructing a metaphysical landscape, by taking an abstract, yet critical view on the expectations

that are forced upon Black people in modern society. It was of utmost importance that the images

selected displayed a dichotomy that closely resembles the two extremes black art is filtered through

in order to make the work palatable by art consumers: Joy and sorrow.

So often in the art world, the black experience is lauded, taking precedent over the

complexities of black expression, to then instead highlight Black trauma and atrocities. It goes

without saying, cultural voyeurism presents the demand for visual language that contextually

presents the aforementioned in a more palatable fashion. In some regards, work produced by black

artist that showcases black trauma are granted more visibility than the work by black art who’s

subject may not touch on the idea of race. This work acts as an exclamation for my future work by

saying: I am worth more than my trauma. Our past is not a commodity. My pain is not your wall art.